Ancient Italian painting from the 17th century, allegory of magnificence

€65,000
Ancient Italian painting from the 17th century, allegory of magnificence
Ancient Italian painting from the 17th century, allegory of magnificence
€65,000
Dimensions :
H122 x W98 x D2
Color :
multicolour
Material :
canvas
Style :
classic

An important Florentine painting from the mid-17th century. This oil on canvas work, attributed to the great Italian painter Vincenzo Dandini (1609-1675), depicts a refined allegorical figure, likely identified as the Allegory of Magnificence or Liberality. The young woman is depicted seated, sumptuously attired, and facing directly toward the viewer. In her raised hand, she holds a small compass, a symbol of measure, proportion, and discernment, while in her lap lies a cornucopia, a symbol of abundance, filled with coins, pearls, corals, and precious jewels. The combination of these two attributes seems to allude to a wealth regulated by reason and administered with balance, according to a complex symbolism typical of 17th-century allegorical culture. The figure emerges strikingly from the dark background, bathed in a soft light that shapes her face and hands. The pale complexion, enlivened by the rosy hues of her cheeks, is constructed through delicate chiaroscuro effects, while the intense gaze gives the woman a surprising psychological presence. The rendering of the clothing is of extraordinary quality. The red dress, enlivened by wide folds and embellished with minute gold motifs, is accompanied by a blue-green sleeve and overlapping gray, green, and brown drapes. The painter depicts with particular sensitivity the varying textures of the silks, velvets, embroidery, and metallic ornaments, achieving effects of great textural richness. The gold-embroidered border that runs across the lower part of the composition is splendid, conceived as a refined ornamental element. Vincenzo Dandini was one of the most important figures of 17th-century Florentine painting. Trained by his brother Cesare, he completed his education in Rome in the workshop of Pietro da Cortona. Upon returning to Florence, he worked for the Medici court, blending Roman Baroque monumentality and Tuscan naturalistic sensibility into his own style. His drawings and works are held in the Uffizi Ga.

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