Parchment bookcase by Aldo Tura for Tura Milano 1960
- Dimensions :
- H225 x W195 x D44
- Color :
- brown
- Material :
- skin
- Style :
- vintage
Extremely rare and majestic bookcase by Aldo Tura, produced in Milan around 1960 and entirely clad in natural parchment dyed a dark tobacco color with a high-gloss, mirror-like finish. A work of exceptional quality and rarity, it represents one of the most accomplished expressions of Tura’s poetics, in which natural material is sublimated into an architectural language of extraordinary elegance and rigor. The structure, custom-built by hand, is composed of three vertical uprights that rhythmically articulate the horizontal shelves, generating a perfect balance between solids and voids, light and matter. The lower section is enclosed by two doors with cylindrical brass handles, while the upper section, entirely open, offers generous display surfaces ideal for books, objects, and ceramics. The brown-dyed parchment, an iconic material of Aldo Tura’s universe, completely envelops the entire structure: a continuous skin of warm, vibrant, and irregular tonal variations that shift with the light and reveal the craftsmanship and technical complexity of the covering. The surface, hand-polished to achieve a mirror-like effect, adds depth and an aura of refined opulence, making every detail unique and unrepeatable. In this bookcase coexist the sensuality of natural material, the cabinetmaker’s constructive precision, and the sculptural vision of furniture typical of the Milanese designer, who conceived furniture as domestic architecture, plastic space, and pictorial surface at the same time. The work belongs to the most mature phase of Tura’s production, when the designer experimented on a large scale with parchment as a visual and tactile language, pushing the boundary between design and decorative art. A piece of museum-level rarity, scarcely found in these dimensions and conditions, it testifies to Aldo Tura’s ability to combine modernist rigor and material sensuality, creating an object that transcends function and becomes pure aesthetic expression. Excellent condition with minor signs of time consistent with the period and its authenticity.