Ceramic Sculpture by Elisabeth Vandewege for Perignem, Belgium ca. 1960

A tender and sculptural expression of mid‑century Belgian artistry, this 1960s ceramic figure group was created by Elisabeth Vandewege for Perignem workshop. Known for its refined modernist ceramics and its close ties to the Flemish studio pottery movement, Perignem fostered a generation of artists who explored purity of form, emotional resonance, and material experimentation. Vandewege’s work stands out within this context for its quiet humanity and poetic abstraction. The sculpture depicts two stylized adult figures gently enclosing a child between them, their forms simplified into smooth, flowing contours that emphasize unity, protection, and familial connection. The absence of facial detail heightens the universality of the theme, allowing the viewer to focus on the sculptural rhythm and the emotional gesture. The dark ceramic surface, subtly textured and softly reflective, contrasts beautifully with the warm wooden base, which grounds the composition with natural warmth. This piece exemplifies the mid‑century Belgian aesthetic: modern yet intimate, abstract yet deeply human. It reflects the Perignem philosophy of merging artisanal craftsmanship with contemporary design, resulting in objects that function as both decorative accents and sculptural artworks. Whether placed on a console, mantel, or within a curated collection of European studio ceramics, this sculpture offers a serene presence and a timeless meditation on family and connection.