Samovar and Austrian Secession Teapot – Art Nouveau Set
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until July 21, 2026
- Dimensions :
- H40 x W19 x D19
- Color :
- golden
- Material :
- brass
- Style :
- art nouveau
A very beautiful set comprising a samovar and a teapot in the Viennese Secession style, attributable to Austrian production from the early 20th century. The samovar, with its conical body, is suspended in a freestanding metal structure resting on three slender legs. It features a tilting mechanism that allows for serving without lifting the container — an ingenious and relatively rare device, indicative of a modern and ergonomic approach to the tea ritual. The angular spout, conical lid, and decoration reduced to a simple punctuation of rivets reflect a sober and geometric formal vocabulary, close to the aesthetics of the Viennese Secession and proto-functionalisms. The item is complete, with its original burner, and is in good condition. The mechanism is functional and shows no leaks. There is a patina of use, contributing to the charm and authenticity of the piece. A rare object, straddling the line between domestic utensil and utilitarian sculpture, ideal for enthusiasts of historical design and modernist pieces. It is offered as a set with a modernist Viennese teapot bearing the eagle hallmark from the same early 20th century, coming from the same collection. Although distinct, the two objects share a coherent formal vocabulary: solid volumes, minimal geometric decoration, and attention to function and ergonomics. The teapot, like the samovar, illustrates a design concept where everyday objects become a field for formal experimentation, in the spirit of applied arts in Central Europe around 1900–1915. The use of metal alloys, the absence of superfluous ornamentation, and the ingenuity of technical devices reflect a shared ambition: to integrate modernity into the simplest gestures. Presented together, these two objects form a particularly evocative ensemble of the revival of domestic design at the turn of the century, between the Viennese Secession and emerging modernism.