Three-seater leather sofa by Mogens Hansen, Danish design from the 1960s

€1,599
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Three-seater leather sofa by Mogens Hansen, Danish design from the 1960s
Three-seater leather sofa by Mogens Hansen, Danish design from the 1960s
€1,599
Dimensions :
H75 x W208 x D80
Color :
brown
Material :
leather
Style :
scandinavian

A three-seater sofa manufactured by Mogens Hansen in Denmark during the 1960s. The design combines classic Scandinavian proportions with refined elegance typical of the era—compact armrests, a clearly defined backrest line, and a muted colour palette create a piece that anchors a room without overwhelming it. The construction rests on a solid beech frame supported by four legs finished in black paint. The seat and back consist of separate cushions with medium-firm filling, offering support suited to extended sitting. Cushion covers are removable for practical care and maintenance. The sides flare gently outward, lending visual lightness to this generously proportioned piece. Natural leather in a warm brown tone covers all upholstered surfaces, creating a cohesive and inviting whole. Mogens Hansen is among the Danish manufacturers that built the international reputation of Scandinavian furniture making in the post-war decades, focusing on upholstered pieces with material quality and precise craftsmanship. The 1960s marked the peak of Danish design influence worldwide—furniture from this period stood out for its considered functionality and artisanal care. The sofa comfortably seats three. Its width of over two metres demands space but delivers a full-scale relaxation spot for a living room, study, or formal waiting area. The seat depth allows for comfortable reclining, while the height of nearly eighty centimetres ensures it sits well alongside other traditional furnishings. The sofa shows clear signs of decades of use. The leather upholstery displays wear marks and discolouration characteristic of natural material that has served intensively over many years. Stains and minor scratches are also visible. The condition reflects a piece that has been well used while retaining its structural integrity. More noticeable traces of use are documented in the photographs to convey the actual state of preservation as faithfully as possible.

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