Emmanuelle chair in wicker peacock from the 1970s by Kok Maison

The famous Peafowl chair, widely known as the Emmanuelle model, produced by Kok Maison, is a piece that goes far beyond its functional role. Its distinctive fan-shaped backrest—resembling a peacock's tail—has captivated attention for over a century. The origins of this design trace back to Asia, where it initially served as a ceremonial throne. Over time, it gained recognition through photography and cinema. Its true rise occurred with the film Emmanuelle, where the chair became an instantly recognisable symbol of sensuality and exoticism. Since then, it has remained an icon of pop culture, often referred to by the name of the film. The piece presented is made of natural rattan and bamboo—materials valued for their lightness, durability, and organic appeal. The complex hand-woven structure, visible in both the backrest and base, highlights the craftsmanship behind its creation. Kok Maison, a family business founded in the 1920s, has built its reputation on working with natural fibres and preserving traditional weaving techniques. The armchair is kept in its original, very good condition, with minimal signs of use. Stylistically, the chair sits at the intersection of bohemian, colonial, and mid-century modern aesthetics. It is decorative without being excessive—its strength lies in its form and proportions. The high backrest naturally frames the seated silhouette, creating a subtle "throne" presence that has long been prized in photography and interior design. It is a statement piece that does not fade into a room. It works equally well in a living room, bedroom, or commercial space, while its open structure keeps it visually light. The rattan interacts beautifully with light, enhancing its texture and bringing warmth to the interior. The seat cushion adds comfort and can easily be customised to fit different styles. Seat height: 45.5 cm